Jazz Piano with Nikki Yeoh – Upper Intermediate – Advanced

Got the piano skills, but want to learn the language of jazz?
Love playing notated jazz, but want to play like a proper jazzer?
This course is perfect for Upper Intermediate (classical) players and beyond who want to explore the world of jazz. We are very excited to be welcoming award-winning British jazz pianist, Leeds Conservatoire Jazz Principal lecturer and Jazz FM presenter Nikki Yeoh to Finchcocks to teach the art of jazz.
If you love to play, but would like to learn the art of “comping” (playing along with other players), join seven other Upper Intermediate – Advanced pianists for some intensive jazz tuition and practice.
Learn how to:
- Voice chords
- Build up your voicing vocabulary
- Comp for fellow students
- Perfect your comping rhythms as a supporting musician
- Work on different comping styles
- Work on Latin style rhythms
- Become a confident live performer
In between group sessions, there will be time for private practice on one of our beautiful grand pianos including our new Steinway. There are plenty for everyone, and no need to book in a practice slot!
- Enjoy access to play on our 9 grand pianos anytime between 7am and 8pm. (There are enough pianos to go round that everyone can play a piano at any given time.)
- Join and socialise with a group 8 fellow piano enthusiasts during lunch and dinner.
- Dine in style with lunches and three course dinners prepared by our fabulous chef.
- Experience the Finchcocks bubble, hailed as a “paradise for pianists” by BBC Music Magazine and stay in a grade 1 listed country manor.
Plus ones are very welcome on our courses, with a room surcharge dependant on whether they are a playing or non-playing guest. Please ask for further details.
Since her emergence on the British jazz scene in the mid 90s pianist Nikki Yeoh has proved to be an improviser, composer and all-round adventurer who has continually sought to broaden her musical horizons. She has led her own bands in prestigious venues such as the Royal Festival Hall and performed with hip-hop producers like DJ Pogo at more informal spaces such as the Jazz Café. She has been part of a brilliant duo with the vocalist Cleveland Watkiss and also worked with choral ensembles. In other words Yeoh is a creative free spirit who, although deeply rooted in the language of improvisation, is open to a range of music that leans as much to populism as it does high art.
Indeed it was a tour with the maverick pop vocalist Neneh Cherry that led Yeoh to form her first significant group, as she clicked musically with two other members of the singer’s backing band, the bass guitarist Michael Mondesir and drummer Keith Le Blanc, noted for his work for the pioneering hip-hop label Sugar Hill.
After making its debut at the Jazz Café in 1994 the trio, which Yeoh called Infinitum, toured as part of a double bill with Django Bates’ Human Chain, and Michael’s brother Mark eventually took over the drum chair as the group did more international work, a highlight of which was a trip to Cuba for a collaboration with Conjunto Folklorico Nacional De Cuba.
Those who have seen Yeoh in any one of the aforementioned settings will testify to her virtuosity on the keyboard. Drawing on pioneers from the worlds of jazz, classical music and soul, above all the likes of Herbie Hancock, Alexander Scriabin and Stevie Wonder, Yeoh has developed a style that can move from explosive rhythmic energy to understated lyricism at a moment’s notice. Indeed her ability to conjure up the most vividly evocative of moods by way of subtle, probing harmony, either in a duo, as with vocalist Watkiss, or in the demanding context of solo piano, has been proven time and again.
Accomplished soloist as she is, Yeoh has also excelled as a composer over the years and this is borne out by the number of very significant commissions she has to her name. Among the most notable recent works is a Suite Of Seven Tunes, based on the seven deadly sins, for the internationally renowned reeds virtuoso, John Surman. This was premiered at the 2010 Cheltenham International Jazz Festival. Prior to that, in 2006, Yeoh presented River Spirit, which was written for The Oxford New College Boys Choir following a commission from Oxford Contemporary Music. These two compositions were testimony to the wealth of ideas that she has generated since the early stages of her career, and the impression she made with Infinitum Plus, a work for a 12-piece ensemble, was considerable to say the least. It could not have been a clearer sign of the composer’s ambition and unpredictability, so it was characteristic of Yeoh to subsequently head in an entirely different direction, writing three pieces for classical piano virtuoso Joanna MacGregor, Be-Bop, Entwined and Flora And Fauna, that were featured on the album Piano Language.
Yeoh’s output to date reflects an irrepressible spirit of curiosity that has taken her into areas far and wide, be it gigs with cutting edge jazz musicians such as Steve Williamson and Courtney Pine, soul stars like Jean Carne and Roy Ayers, or the fiercely original hip-hop group The Roots. Regardless of the setting Yeoh always shows the same degree of dynamism and responsiveness, qualities that she has developed through both her personal research of the history of music and extensive travels in Latin America, India, the Far East and Europe.
Nikki Yeoh is at the peak of her artistic powers. To her experience as a player has been added substantial life experience, above all the joy of being both a teacher and mother. Her music remains one of her most precious creations.
Weekend courses
from £700 (inclusive of accommodation, tuition and all food and wine)
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